What We Do

Custom Exhibit Fabrication in Miami

Custom exhibit fabrication is where booth design becomes a physical object that has to land on a truck, clear a dock, install in a six-hour window, perform for three show days, and survive the ride to the next city. The decisions that matter happen in the shop, not on the render.

Custom fabrication is the step that turns a design into an actual booth — sheet goods, steel or aluminum frame, lighting integration, graphics panels, crated and truckable within show freight limits. For Miami programs, fabrication has to account for the Miami Beach Convention Center's loading constraints, South Florida heat and humidity during outdoor staging, and the very short installation windows that MBCC gives most shows.

We run custom fabrication in-house rather than outsourcing because the feedback loop between design, shop, and field install is where quality actually survives. The shop's tolerances, the finisher's paint booth, the laminator's substrate stock, and the crater's experience with the specific carrier routes to MBCC all affect the final product more than the renderer.

What this section covers: our fabrication process, the materials and finishes we actually use in the South Florida market, how we handle structural engineering for hanging elements and double-deck builds, the pack-out and freight planning that keeps a booth cost-effective across multiple shows, and where fabrication projects typically fail when the shop and the design team are not in the same room.

Custom Exhibit Fabrication execution priorities

  • In-house shop — fabrication, finishing, graphics, crating under one roof to protect color accuracy, tolerances, and turnaround.
  • Materials chosen for Miami: humidity-tolerant substrates, UV-stable finishes, lightweight aluminum frames where possible to cut freight.
  • Structural engineering review on hanging signs, double-decks, and heavy scenic walls — with stamped drawings where the venue requires.
  • Freight-ready crating designed for the booth's rolling calendar, not simply the first show.
  • Graphics production in the same building — same-day re-prints on finishing issues, color-matched across panel batches.
  • Pre-build setup at the shop before freight — every panel, every fitting, every cable checked before the crates close.

Why in-house fabrication matters more than any single tool

We operate our own shop — CNC router, panel saws, welding bay, paint booth, laminators, graphics print room, and crating area in the same building. This matters because booth fabrication is a series of handoffs, and every time a handoff goes across buildings or across companies, quality drops and schedule slips.

A graphic that prints a half-shade off from the approved proof is a same-afternoon reprint in our building and a three-day delay across vendors. A scenic wall that doesn't seat cleanly against the floor is a shop-floor cabinetry adjustment in our building and a logistics negotiation everywhere else. The shop is where fabrication quality actually lives.

Materials chosen for South Florida and for travel

We specify materials that perform in both the Miami climate and in freight. South Florida humidity and temperature swings punish cheap laminates and unsealed MDF. For exterior-visible surfaces we prefer phenolic laminates, true hardwood veneers with catalyzed finishes, or high-pressure solid-surface materials over cost-driven melamine.

For frame systems, lightweight extruded aluminum with concealed connectors reduces both weight and freight cost compared to welded steel, and it disassembles cleanly for reuse. We use welded steel where the design genuinely requires it — double-deck stair stringers, cantilevered hanging sign armatures, heavy kinetic elements — and we engineer those with stamped drawings.

Graphics substrates: tension fabric for large wall fields, direct-print Sintra for crisp rigid graphics, backlit fabric for illuminated hero walls, dye-sub for reusable modular graphics. Each has different costs per square foot, different weights, different reshipment tolerance. We specify per panel based on how that panel will actually be handled across the client's show calendar.

Structural engineering sits inside the fabrication workflow

Hanging signs, double-deck exhibits, cantilevered scenic elements, and heavy rigging all need structural engineering review before MBCC or any other venue will approve them. We keep a structural engineering partner on retainer so that approval drawings come back inside the fabrication schedule, not after it.

Double-deck builds at MBCC require stamped drawings, load calculations, stair and rail compliance, and usually an on-site engineer walk at install. We build those requirements into the fabrication plan from week one — deck panels, stair components, rail systems, and load-bearing connectors are fabricated against the engineered drawings, not adjusted to fit them.

The pre-build: we assemble the booth in the shop before it ships

Every custom booth over 10x20 gets a full pre-build in our shop before we crate it. Every panel is dry-fitted, every graphic is hung and reviewed under proper lighting, every fitting is checked, every cable run is pulled, every LED wall is powered on, every hanging sign is test-assembled at ground level.

The pre-build is where we find problems while we still have the whole shop to fix them. A graphic that prints slightly off-color, a panel edge that chips, a fitting that doesn't lock, a power distribution miscalculation — all of these are 30-minute fixes in the shop and 6-hour fires on the MBCC floor. Clients are invited to the pre-build. It is the most useful meeting in the project.

Crating and freight designed for the rolling show calendar

A booth crated for one show and then re-crated for the next is a booth that gets damaged. We crate for the full calendar: panel dividers sized for reuse, foam and edge protection chosen for repeat handling, crates built with casters and forklift pockets that match the venues the booth will actually travel to, label systems that survive humidity and ocean freight if the calendar includes Latin America.

For MBCC freight specifically, we size crates to the dock and hall door dimensions — wider than standard crates fit in, but the tightest freight elevators in the venue determine the ceiling. We also plan freight consolidation: a Miami show that rolls to Orlando four weeks later benefits from one carrier, one bill of lading, and one handling event, not two.

Finish quality is the line between "impressive" and "embarrassing"

Miami audiences read finish quality faster than most US markets. Scuffed edges, mismatched laminate seams, visible fasteners where they should not be, and paint inconsistencies all get discounted from across the aisle. We budget finish time the same way we budget fabrication — it is a discrete line item, not a cleanup at the end.

For high-visibility surfaces we spray catalyzed paint in the booth, sand and re-coat rather than patch, and seal edges with matched color. For wood finishes we match grain direction across panels before assembly. For graphics we calibrate the print room to the day's ambient humidity before running hero panels.

Fabrication timeline for MBCC shows

A typical custom booth for MBCC runs 8 to 12 weeks of fabrication from design lock, with another 3 to 4 weeks of graphics production that overlaps the last half. Rush schedules compress this to 6 weeks and usually raise material costs 15 to 25 percent because we lose the ability to source optimally.

The compression points are (1) structural engineering sign-off for hanging and deck elements, (2) graphics release dates from the client's marketing team, and (3) carrier booking windows for show freight. We manage all three against the show's posted deadlines from project kickoff.

Frequently asked questions about Custom Exhibit Fabrication

How long does custom exhibit fabrication take for a Miami show?

8 to 12 weeks from design lock for a standard custom build, plus 3 to 4 weeks of overlapping graphics production. Double-deck exhibits or heavy custom scenic can push to 14–16 weeks. Rush schedules under 8 weeks are possible at a 15–25% material premium.

Do you build double-deck exhibits for Miami Beach Convention Center?

Yes. Double-deck builds at MBCC require stamped structural drawings, load calculations, code-compliant stairs and rails, and usually an on-site engineer review at install. We handle the engineering coordination and fabrication under one scope.

Can you match a booth built by another vendor?

Often, yes — we can match finishes, graphics, and dimensional intent. We cannot guarantee exact structural integration with another shop's proprietary frame systems. If the existing booth uses a common extrusion system (Aluvision, BeMatrix, etc.), integration is straightforward.

Do you build booths we can reuse for Orlando or Las Vegas?

Every custom build is designed for modular reuse unless the client explicitly wants single-use scenic. We document pack-out, re-install sequence, and graphics swap points so the booth re-deploys cleanly. Miami > Orlando > Vegas > New York rotations are the typical use case.

What materials do you avoid in South Florida?

Unsealed MDF, cheap paper laminates, water-based finishes on exterior scenic, and untreated softwood structural elements. Humidity cycles between transport and staging destroy them. We spec phenolic laminates, catalyzed paints, aluminum framing, and sealed substrates.

Can we visit the shop during fabrication?

Yes — we encourage a mid-fabrication walk and always invite clients to the pre-build. The pre-build is where design intent meets the actual object. It is the most productive meeting on any project.

How do you handle graphics changes during fabrication?

In-house graphics means same-day reprints on anything that changes after approval. We hold the final artwork release until we have pre-built structure so graphic panels are printed to the real fit, not the drawing.